Monday, September 22, 2025

Coyote & Crow Review # 3.75 _ Thanks for a Thousand Reads!

 



Wow!


Writing this blog has been quite a rollercoaster. Most of the time it just putters along, read by a few stalwarts. Sometimes, however, it seems to strike a nerve.


The first was back in 2013 after I started, when I began writing about Weird Japan, and how to play in an authentic Japanese game, instead of just D&D in funny hats. I was pleasantly surprised when I started getting double then triple digit reads. The post were eventually taken up on Reddit, and even last week I got invited to speak about Japanese ghosts on a horror podcast.


After that, my work on sociological game design and Japanese D&D both got some attention. Most recently, my Stormbringer Redux series generated a ton of interest, and culminated with an invitation to appear on the Breakfast in the Ruins podcast to discourse with the affable Andy about all things Moorcock.


I truly am grateful and still a little stunned by all the attention, and validation that what I find interesting appeals to others. Returning to Canada has allowed me to celebrate my indigenous identity, reconnect as both individual and scholar, and now through NUNA and this blog, find a community


Nekumek! Thank you all for over 1000 reads.


Now, let’s dive back into the world of Makasing.



HUMOR & SPORTS


The next section begins with indigenous humour. All the Inuit I knew in Labrador were full of smiles, sarcasm & jokes, and having seen Wab Kenew’s The 8th Fire, I can say that a humourous worldview is definitely part of many indigenous people’s daily life. As my wise nan used to say, if you don’t laugh you’ll cry, and many times I saw her laughing with tears at the same time.


The authors move on to short poetry, and theatre as an outgrowth of fable telling. I dislike their use of the word ‘modern storytelling’, as it brings us to our world where stories are weaponized everyday. I would rather they say longform plays or tales. Once again, I am reminded of Japan and the seasonal kagura dances, where a mythic hero slays a giant snake, a reference that might have resonated with the authors.


We move on to sports, which is depicted as a more friendly rivalry than our sometimes cutthroat pro sports world. The authors state, “Beyond the elite professionals, sporting play and more friendly levels of competition run deep in all societies across Makasing.” I remember the leg kicking and other competitions of my youth and can attest to this, and as a sociologist I also know of sports as a way for cultures to train their youth in necessary physical and interpersonal skills for survival.


The list of sports, like festivals in the previous sections, gives lots of dimension to the gameworld and Makasing society, especially the lethality of some sports and the ubiquity of betting on them. It gives me Star Trek holodeck vibes, and really sells the indigenous futurism angle. Storytellers should make the effort to bring all this to life in their games.


(Once again, there is a cryptic yet enticing reference to yutsu technology used to reduce gravity for some games. I hope there is a pay off to all this build up in the rules section later.)


The reference to sports taking the place of war is a nice touch, and also reverberates with George Orwell’s dictum that sports are just war without guns. There are lots of adventure seeds in here, from escorting an athlete to a big match, to investigating a manager for fixing a match. This is contrasted with casual fun, such as board game bars, Sky’s Voice karaoke, and storytelling competitions. I love this indigenous exploration of nerdy fun, especially considering the Nerdy Native Creations movement right here in Vancouver


Makasing’s people are obsessive about dancing, and Cahokia boasts lots of clubs. I appreciate the genres of music they introduce here - Love Music; Thunder / Rapid Fire indie punk or metal, replete with drugs and violence; Lung music choir for elderly; and Psychedelic music for drug trips. This is very atmospheric and turns the associations of music and substance abuse on its head. There is also the Bragging Song, a kind of rap or Slam poetry, and the War Song, which I imagine is like the Maori Hakka. All this variety humanizes indigenous music, defusing the associations used in media to depict native drums as code for savagery. This is a very deep choice, and reflects multiple aspects of indigenous culture, such as pride, love, joy of dance, and psychological preparation for war.


Beyond music, Smoke Lodges act as a kind of social club, while sweat lodges cement trust & connection like the Japanese baths I enjoyed for years. Japanese would call bathing together ‘skinship’, and I really like its appearance in Coyote & Crow. Once again the idea of hierarchy is flipped, and we are given the humility of the sweat leader, who is both leader of the event and servant to participants. Sweat in Makasing is a kind of therapy, just as in real world where indigenous people now reclaim traditional healing as an alternative to colonial systems of medicine and law that don’t always lead them to recovery. 


The authors also mention Yawpon drug tea houses to expand the mind, but also mention unsavoury shops that are open for abuse. Once again, they may not have the homeless and addicted sleeping in the streets like our world, but their people are just as flawed as ours.


I really appreciate that the authors leave in references to social problems. This makes the setting more real and avoids the trap of the ‘noble savage’ trope that has plagued indigenous depictions. Instead, we have indigenous people who are flawed individually like us, but who have a high context cultural underpinning that is more supportive and collaborative than our current system.


Sign me up!



MEDICINE IN MAKASING


It makes sense, considering the huge decline in North American medical care in both Canada, where most medical consults have gone virtual, and the US, where medical bills for routine procedures routinely put families in crushing debt, that Coyote & Crow would explore a radically different idea of medicine. Here is how they start their section on medicine,


“In Makasing, the lines between physical, mental, and spiritual wellness blur or simply don’t exist at all. While there are certainly specialists, most practitioners of healing in Cahokia recognize that their area of expertise is not necessarily the only path toward helping a patient.”


I know western doctors who have also travelled to Africa and Asia to add traditional medicine to their repertoire, and this is the norm in Makasing, where care is holistic, with experts in mind, spirit, and body all pitching in. This lacks the competitive nature of our current healthcare, and is more a whole body cure. 


There are four streams of medicine.


First, free care is offered by the state, and focuses on prevention. This reminds me of Cuba, where dental care is advanced because they focus on foods that don’t destroy the teeth and toothpaste with ingredients that promote health.


Next there is paid care, which gives more comfort and status, with no significant change in outcome.


Here is where it gets nuanced. Third we have traditional medicine, herbs and prayers, that eschews technology but permits the use of Adanadi powers. In opposition to this is Cahokian modern medicine, which ignores traditional medicine to focus on science and use the Adanadi. In Japan, these also existed as the kanpo or herbal medicine system, which was equally respected and used for minor ailments and preventative cures. The authors also note that Makasing people also eschew prosthetics, preferring to accept their body in its natural form.


One intriguing section is the mention of a section of society which mistrust the Adanadi and see it as the root of all sickness and evil.


Adventure Seed - A group of exiled have created their own tribe which prizes cybernetics and technological advancements over traditional or Adanani gifts. These cause trouble by taking resources and could be a great set of antagonists, especially if some are unjustly exiled.


Adventure Seed - A cult of anti-Adanadi seek to remove the powers from the world. They may be working on some horrific ‘cure’ to what they see as a disease, and the PCs have to stop it.



SEX, LOVE, & MARRIAGE


There are some very interesting things here. Making sexuality an implicit part of the setting instead of an explicit message to players is a great choice, and doesn’t set off the whole knee jerk reaction some people have towards safe lists and trigger warnings. There is also the option of coming from a village with unique sexual norms, making the setting even more dynamic while giving players background choice.


Once again, the population boom of Makasing makes the setting a dynamic, changing society, and I really appreciate the efforts the authors have made. Child birth is mostly a choice, ensured by reliable by birth control. Introducing Ceremonial sex is also an interesting choice, and reminds me of the practice of rish from Larry Niven’s Ringworld books. It is a natural ‘alien’ sex practice, which contrasts with our world which prudishly hides all things sexual behind closed doors.


(Personally, I avoid sex in my games, but this might be worth exploring, if players are onboard.)


I appreciate the prevailing attitudes of the peoples of Makasing, who think “That's just what they do in that tribe. No one's getting hurt, so who cares?”


Minding one’s own business was a staple of my youth, and sometimes I wish more people today would practice it. I appreciate the reminder that “while the people of this world have the same ancient history we do, they also have different customs and perceptions, even from real world Native Americans.” Actually, just yesterday at work I heard a presentation from indigenous creator Anthony Johnson, a two spirit person who told us of the homophobia and violence in the real world community he grew up in. It is nice to see C&C redressing that situation by offering a glimpse of a kinder, more accepting world.


There is a summary on gender that says it all:


“To the people of Coyote & Crow, gender isn't just a spectrum, it's also less important culturally. Part of that is because gender roles are not as strictly enforced, but also because traditionally, those that do not conform to standard binary labels of man or woman have often been considered blessed or in possession of a greater connection to the spirit world… There's no real stigma around a person changing their gender identity at any point in their lives.”


If you do some Googling, you’ll find this is a very real historical precedent, and that countries like Thailand still accept very fluid notions of gender.


You might ask why bother with this focus on accepting gender. I have known trans people who have been put through the wringer by outdated beliefs and prejudices, and I am happy to see a gameworld that reflects a leap away from this. Just as women were accepted as equals in the original fantasy RPGs, I am happy to see all genders equally welcome in this one. The sections ends with the introduction of Tahood, or the third gender to include non binary and LGBTQ. People would accept this in sci fi fantasy, more than as a message in the real world, so I find its inclusion admirable. 


Moving away from gender, marriage in Makasing is also broad, and diverse terms are communally accepted. It is non hierarchical and non permanent, and reviewed every few years. I have some younger friends who have very fluid conceptions of polyamourous coupling, and their marriages are non contractual, with mutually decided obligations. 


Wish I had had this option!


Between the freedom of pairings and conditions, and lack of unwanted pregnancies, we can see Makasing as a world where family is a much broader concept. Add to that the acceptance of and lack of stigma around casual sex, and there is no home breaking or prudism. There were hints of that in my upbringing in Labrador, some people who practiced a more dynamic view of love and sex that escaped the imposed moral system of missionaries. In this fantasy world the missionaries never came, and love & marriage have naturally developed in their own ways. I appreciate the authors’ statement, “Many variations of love, partnership, sex or lack thereof, and marriage exist and are the norm”


This view of marriage also has ramifications for family life. The authors write, “The broad interpretation of marriage, as well as the intergenerational family living arrangements common in Makasing, allow for a person to work a job where they have to travel far from home, knowing that their spouse and children are being looked after while they are gone.”


I am so onboard with this. As a youth I saw many shared extended families caring for each other, but all this has fallen apart as many families transitioned to becoming Canadians and lose their indigenous identity. I am without support myself, and sometimes feel alone as a single dad. But in Makasing, this system of extended family care permeates all of society. We are told,


Few people are raised by total strangers and no one would refuse to take in a child who was vaguely related… There are orphanages and elder homes in Cahokia and across the continent, but they are the exception, not the rule; strong social and medical support from the Cahokia government enables families to care for aging and disabled individuals within the home. Because of the governmental structure of Cahokia, no family goes hungry or without a roof over their head. While the land may be controlled by the city-state, there is no shortage of over-all space and most families have room to spread out and plenty of resources.”


Living in a city where I see many homeless, some entire families, and many who have gone through the orphanage to prison pipeline, I am all in with this gameworld.


This extension of family as social service also results in a very strong inter-family work ethic, with multigenerational homes being the norm. Moreover, the importance of lineage, which is stronger in Cahokia than reality due to dynamic family practices, cannot be understated. Even now, a trip to Labrador will involve an interrogation over lineage, and revelation of some distant connection. This extended family and social service of Makasing reminds me of rice planting and harvesting in Japan with my in laws. It was just as much work as reification of our connections.


Adventure Seed - Stop a monster ravaging crops and then help harvest them, with celebration and new connection as reward.


Makasing also has a matrilineal structure for record keeping of individual lineage. This reverses the Indian Act here in Canada, which was bureaucratically enacted genocide via erasing matrilineal indigenous identity, and made generations of lost indigenous, like myself, who had access to neither generational wealth of settlers nor the communal wealth of indigenous peoples, and are the most at risk Canadians according to researcher Heather Dicks. In Cahokia / Makasing, they were never lost, but in the real world they are slowly finding their way back to their lineage, and this game could be a great way to prepare for that.



CONCLUSION


Makasing isn’t our world, whether we are indigenous or not. It is an alien land that lets us see what would happen if our issues, such as homelessness and gender, were nothing burgers, where people don’t rally against others to score political points, and where live and let live is the order of the day.


It is refreshing, and if it were a sourcebook for a totally alien civilization, I think people would eat it up. Reading and parsing this section takes time, and I am looking forward to finishing it so I can see how the mechanical underpinnings support the setting.


SOURCE


Dicks, H. (2023). Beyond binaries: mixed-blood Indigenous inequalities. AlterNative: An International Journal of Indigenous Peoples, 19(2), 261-270. https://doi.org/10.1177/11771801231167654 (Original work published 2023)

Wednesday, September 3, 2025

Coyote & Crow Review # 3.5



Before I begin, two things.

In my last post, I criticized the organization of Coyote & Crow’s setting chapter, which is long and may appear scattered to the eyes of readers accustomed to tight chapter headings and discrete info dumps about a gameworld that are characteristic of most RPG products. There was nothing negative intended in my analysis, I was just acknowledging the difficulty some readers might have with this firehose style of exposition. On the other hand, it is a wonderful example of indigenous storytelling, with all things connected and jumping between viewpoints in a story. In that respect I consider it an innovative success.


Also, major props for the flight of fancy, and I don’t just mean the Adanadi superpowers. The C&C team’s imagining of an indigenous world outside of our current one is a feat of wonder. The great Ursula LeGuin once said the following.


We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art..


Le Guin was right, and this failing of imagination is what keeps us trapped in an exploitative system based on inequality. In Cahokia there are no homeless or drug addicts, which is hard for me to imagine walking around Vancouver, a city undergoing decolonization, with land acknowledgments and arts programs galore, but no end to the miserable lying on sidewalks in sight.


For indigenous people in North America, we are living in the post apocalypse and slowly finding ourselves. In Cahokia, the apocalypse never happened, and the pre-colonization values of indigenous society have taken center stage.


What a wonderful fantasyworld! But playing in such a land as Makasing also is a first step towards making a better world a reality.



CAHOKIAN LAWYERS, GUNS, & MONEY


We finally get to economics, and find there is a free market in Cahokia, as well as a paper currency that has gone largely digital. This reminds me of Japan, where older generations are staunch cash users, walking around with hundreds of dollars on them just in case a party or emergency breaks out, while younger people are starting to use Icoca and other cards for most transactions. Once again, as a Sociologist I really dig the depiction of Cahokia \ Makasing as a society in evolution, not a static gameworld.


Finally there is a mention of the Gats, and we find that they are bio-fueled 3D printers. The text tells us it is an exciting time to be an inventor, but there is still no list of what they can print. On the other hand, I often criticize exhaustive lists in rpgs that limit rather than free creation, so I will not pass judgment. I do appreciate that artisans and farmers are still valued, something we could learn from in the face of the wave of AI slop we are now being fed.


Next is an interesting segue into the law, which is very different from ours. In Cahokia and all of Makasing, land possession is not a thing, so neither is trespassing. Murder and theft are still crimes, but violence can either be a crime or a culturally sanctioned way to solve disputes, and as such murder becomes acceptable in a duel. The idea of a seven day waiting period to let cool heads prevail is interesting, and once again reminds me of feudal Japan or premodern France with its Musketeers.


The legal system is also enticingly different from our own. City judges decide cases with 3 judgments, which can be in succession or spaced out. This gives offenders time to change their ways or reflect on their actions. Once again, the authors give a nice nod to those who oppose the status quo and distrust the judges as corrupted, which both reflects the assault on law of our modern day, and makes Makasing feel much more real. Judges can proclaim banishment in rare cases, but tribes chafe against this authority, a nice tension between the continental government and the local communities they oversee.


We come to details about the Suyata (superpowered marshalls), who can kill to save others, but must restrain those who attack them. This is a nice dramatic touch, and firmly sets them up as heroes. As for those they arrest, criminals lose citizenship and tribal rights, and have to work for atonement. The maximum sentence is 20 years. I am reminded of Norway, which invested in rehabilitation over punishment and is now closing down prisons.


Adventure Seed #1! Some have criticized that they did not know what kind of adventures to run in C&C, but here the authors give us a clear seed - recapturing an escaped convict, or an exile who has returned.



TEACH THE CHILDREN WELL - RELIGION & EDUCATION


Religion is introduced in a sidebar suggesting ways not to misrepresent it, another necessary reminder for indigenous and non-indigenous players alike. The main tenets of Cahokian belief are Dualism (belief in something more), as well as the Great Spirit and other gods / spirits.


I really dig the many festivals detailed here, and I think this goes a long way towards breathing life into the gameworld. As I noted before, having a loose calendar or none at all is a weakpoint of many games, and this is both immersive and decolonial. They are tied to seasons, and to times of life, and reflect the themes of the gameworld. Well done!


The depiction of organized mass education as relatively new shows Cahokia and Makasing as a society still evolving, which again I think is a wonderful touch for a dynamic gameworld. The rise of a cult of math and connection with sacred nature by a renowned mathematician is a nice historical flourish, and reflects how Galileo and Einstein among others have been essential to sea changes in public consciousness. Again, this level of detail is lacking in most gameworlds and is appreciated. The authors add a critique of the apprentice system and siloing of knowledge, which is very apt, given what I have seen in Japan where knowledge is often passed from older to younger in this fashion.


I had to laugh at the depiction of university as a natural development of opening up of classrooms, and university teaching as just a stage in life. It was for me, and just might be for Dalhousie University faculty, who have just been locked out of their classrooms. Cahokian government funding of university is a welcome change from our world’s transformation of university from a public good into a cashcow degree mill that devalues teachers and students.



MUSIC OF THE SPHERE


The next section is a kaleidoscopic ride through Science, Time, Culture, and Music of Cahokia.


Without capitalism driving technology, scientists are slow moving, individual inventors in an unregulated field. This is an interesting and charmingly steampunk notion of how the field operates. Governments are not driving science, but are instead conservative about discoveries. This is totally different from our world, where the military-industrial complex is a driver of technology. I love it.


In terms of time keeping, the importance that the number 12 gained as a unit of measurement after a long dark age with no record keeping is interesting, and hints that the Awis not only had supernatural effects, but sociological ones as well. So many rpgs and manga overlook this, and other media have supers plunked down in the real world, but with unchanged calendars and time keeping despite the massive upheavals their presence would entail. The cyclical belief of time of Cahokians is also very akin to Incan beliefs, a nice nod to realworld indigenous traditions.


Finally, the authors present art, especially music, as central in ways to Cahokia that have become lost in our world. On the individual level, art is a daily practice, personal, private, and sacred, and not separated from the commonfolk. Art for art’s sake has developed via intertribal trade, and art is everywhere, on dwellings, clothes, and echnology.


Music is a huge departure from our world’s stifling music industry. The authors explicitly state Cahokia has ‘music not owned by anyone.’ People need tribal or artist permission to transmit or copy music, and all performance is live otherwise. No one programs, pre-records, or lip syncs in Cahokia. The only way to listen to music is via Second Eyes, but these go unexplained. 


Aside from travelling musicians there is no centralized music industry to speak of, and of course there is no copyright. This decentraliation of art with local diffusion is a staple of the setting, and is a great antidote to both our realworld exploitative music industry and platforms like Spotify, as well as a rebuke to the dystopic corporate scifi space made by Alien and Aliens. 


Cahokian music is dominated by the drums, vocals, and wind instruments, while string instruments are still an oddity. This gives soundtracks for games of C&C a distinctive flavour. Musicians are also presented as healers, and while musical satire is big, transcendental music to connect to bigger feelings of the sublime is also a feature of Cahokian music.


CONCLUSION


From science to culture to daily life to art, Cahokia is both a fascinating gameworld and an exercise in decolonial thinking. What if we had the time to create art everyday, and what if the homeless and addicted of our world were instead cared for and supported enough to create art?


The mind boggles. This is a game I can get behind.